Entertainers in World War One

Entertainment was a place where soldiers could escape the harsh realities of their dangerous life. They were always overjoyed to see these performances.

Concerts took place to liven up the troops. Two or three concerts a day were often available and most popular. Drama too presented a particular challenge: contemporary comedies and romances were played with canteen furniture, and the scenery was often a backdrop of night sky. Violin solos, string quartets, operatic arias, all were performed behind the front lines. It was not unusual for the audience to be in their hospital beds, or wheeled out of the wards, even if rain beat down upon them. Shows were also given on ships, and out in the wild country or desert.

Even back in England the war naturally brought a surge in patriotism, both in drama and cinema. Music hall was one of the dominant forms in World War One. Theatre managers, newspaper editors, civic leaders and even clergymen insisted that people wanted cheering up and were not expected or even allowed to use their brains or be presented with serious matter. The war was expected to end by Christmas. Many plays were written about the suffering, but the emphasis was more on the humorous to attract the masses. There were many songs about the war, even women such as Vesta Tilley dressed as soldiers, as well as drama that was hostile to Germany. Soldiers on leave flocked to the theatres with their sweethearts, eager to be amused and entertained. There were many famous performers such as Harry Lauder, Vesta Tilley, Gertie Gitana and many others who were popular with troops out in the war or for soldiers and their families back home.

After the war, popular tastes began to change. Entertainment then preferred Charleston, jazz and syncopation. Performers would often entertain cinema audiences between films. Queues too would be entertained by dancing dogs or a man playing a banjo or accordion. Then a collection would be taken up for the soldiers and sailors. Benefit performances were held to raise money to entertain wounded soldiers; just as there were Tank Weeks, or fund raising for an ambulance. Matinees too would be held to buy x-ray or other first aid equipment.

In Girls of the Great War, Cecily, having lost the love of her life, eagerly goes to entertain the soldiers in France, filled with the need to help and overcome depression, Her sister, mother and Johnny, a drummer friend, accompanied her, a part of which proved to be a problem. I was inspired to write this because I’d been involved in amateur dramatics for much of my life. I still love the theatre, and have collected many books on the history of it and famous actors. Writing about it was a joy, and have touched on this theme in one or two other of my books.

Here is a short extract of Cecily’s first performance.

There was no proper stage, no curtains, dressing rooms or footlights, but they did have acetylene gas lamps glimmering brightly around the boxes. They worked for hours rehearsing and enduring more instructions from Queenie on what and how they should perform. Cecily suffered a flutter of panic as she became aware of hundreds more men gathering in the audience. A few were seated on boxes or benches, the rest of the area packed with a solid mass standing shoulder to shoulder. Many had been patiently waiting hours for the concert to start. Looking at the state of them it was evident that many had come direct from the trenches where they’d probably been trapped in horrific conditions for months. Those unable to move from their tent pulled the flaps open so that they too could hear the concert.
    Heart pounding and nerves jangling, Cecily felt the urge to turn and run as the moment for the concert to start came closer. Was her mother right and she couldn’t sing well at all? Would they roar and boo at her as they had that time at Queenie?
    She steadied her breathing, smoothed down her skirt with sweaty fingers and when she walked on stage the men gave a loud cheer of welcome. The excitement in their faces filled her with hope and as she stepped forward to the front of the boxed stage the audience instantly fell silent, looking enthralled and spellbound. She exchanged a swift glance with Merryn, counted one, two, three, four . . . and her sister and Johnny both began to play, sounding most professional. Cecily started to sing:
                 There’s a Long, Long Trail A-winding. 
                 Into the land of my dreams, 
                Where the nightingales are singing 
                And a white moon beams: 

    As she sang, her fears, depression and worries vanished in a surge of elation, soaring into a new life, and bringing these soldiers pleasure and relief from the war. When the song was over she received a tumultuous applause, cheers, whistles and roars of appreciation from them. Smiling broadly she went on to sing ‘Roses of Picardy’, followed by ‘Pack Up Your Troubles in Your Old Kit Bag’ and many other popular favourites. Most of the Tommies would readily join in to sing the chorus whenever Cecily invited them to do so. Others would weep, as if fraught with emotion because they were homesick and felt greatly moved by this reminder of England. Then would again cheer and roar with happiness at the end, urging her to sing an encore.
    ‘You are doing quite well,’ her mother casually remarked during the short interval, a comment Cecily greatly appreciated. ‘Now sing some of those jolly music hall songs that I recommended.’
    ‘Right you are.’
    Cecily went on to sing ‘Burlington Bertie From Bow’and ‘Fall In And Follow Me’. These brought bright smiles and laughter to all the Tommies’ faces. She finished with ‘Your King and Country Want You’, bringing forth loud cheers of agreement. How she loved singing to these soldiers. If she hadn’t been a star before, she certainly felt like one now.

Cecily Hanson longs to live life on her own terms—to leave the shadow of her overbearing mother and marry her childhood sweetheart once he returns from the Great War. But when her fiancĂ© is lost at sea, this future is shattered. Looking for meaning again, she decides to perform for the troops in France. 

Life on the front line is both rewarding and terrifying, and Cecily soon finds herself more involved—and more in danger—than she ever thought possible. And her family has followed her to France. Her sister, Merryn, has fallen for a young drummer whose charm hides a dark side, while their mother, Queenie—a faded star of the stage tormented by her own secret heartache—seems set on a path of self-destruction. 

As the war draws to a close and their hopes turn once again to the future, Cecily and Merryn are more determined than ever to unravel the truth about their mother’s past: what has she been hiding from them—and why?

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An excellent review of Girls of the Great War


A heart-breaking, engrossing and riveting novel set during the First World War, Girls of the Great War is a captivating historical tale from one of the UK’s best-loved and most popular writers of sagas and historical novels: Freda Lightfoot!

Cecily Hanson yearns to live life on her own terms and to be the mistress of her own destiny. Although her overbearing mother seems keen to control and manipulate every aspect of her life, Cecily yearns to escape the claustrophobic confines of the family home and be free to do as she pleases and marry the man she loves once he returns from the Great War. But when tragedy strikes and this future is shattered forever, a distraught Cecily finds herself desperate to look for meaning and purpose again. Realizing that the troops need entertainment and escape from the barbaric and shocking atrocities they witness every day, Cecily decides to go to France and perform for them. But hardship and heartache await Cecily amidst the falling bombs and tragedies that become a daily part of her life…

Danger might be round every corner for Cecily, but despite all of the risks, life on the front line is satisfying and invigorating. She soon becomes more involved than she initially thought possible and when her family follows her to France, further trouble is in store. Her sister Merryn soon finds herself falling head over heels with a young drummer. But could their fledgling romance be ruined by the skeletons from the past that are clattering in his closet and threaten any chance of future happiness he might have? Their mother, Queenie, who had once enjoyed great success on the stage has her own secret heartache and disappointments and as she seems to be trying her utmost to destroy whatever happiness might come her way, her daughters begin to wonder whether they can ever manage to unravel the truth about their mother’s past. What is Queenie’s real story? What has she hid from them for so long? And can Cecily and Merryn ever get to the bottom of the mystery of their mother’s past?

With the war finally coming to a close, Cecily and Merryn begin to look to the future. But will they ever manage to find the fulfillment which they crave when there are so many obstacles standing in their way? Is happiness within reach? Or are they destined to spend the rest of their lives being held hostage by secrets of the past?

Whenever you pick up a novel by Freda Lightfoot, you know that you are in very safe hands, and she has outdone herself with her latest novel. As always, Freda Lightfoot’s attention to detail and her meticulous recreation of the past is spot on and readers will be blown away by the evocative descriptions of the past that will effortlessly and deftly immerse readers into the early part of the 20th century. Girls of the Great War is a wonderful story of hope, secrets, second chances and healing from the past that is absolutely impossible to put down. The characters in this book are wonderfully realised and believable and they leap off the pages and straight into readers’ hearts from the very beginning.

A superb historical novel from one of the best writers in the business, Girls of the Great War is a compulsively readable novel I highly recommend!

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Review of Girls of the Great War

My rating: 5 of 5 stars 
by Ruth 

I was sent a copy of this book in exchange for my honest review. I was not financially compensated, and all opinions are 100 percent mine.

First of all, I absolutely LOVE historical fiction. It is my favorite fiction genre. I tend to have high expectations for this beloved genre of mine, and I will tell you that this book never disappointed. From the beginning, I was hooked. Be advised this is written by a British author, but that only added to the charm of this tale.

I have almost no cautions concerning the content of this book. There is no overt profanity. Sex is implied, and the reader gets a brief glimpse into the bedroom at times, but I never felt it was offensive in any way. It was tasteful without the detailed description sometimes found in contemporary and historical romances.

I salute the author for creating such phenomenal, three-dimensional characters. I adored Merryn and Cecily. There was mystery, intrigue, romance, romance, and a few heart-tugging moments. The author did an incredible job of setting the stage and truly drawing the reader into the world of WWI. In one sense, the tale is rather ordinary, and perhaps in the hands of a less-skilled writer, it would be a bit flat and boring. However, Freda Lightfoot’s expertise made the story entertaining and never vapid in any way. Even until the very end. While I simply adored so many moments within this well-crafted tale, I loved the fact that the plight of women was emphasized as it demonstrated just how strong these women were during the time. In fact, we should bless each and every one of them who stood up for themselves and broke cultural stereotypes to ultimately push us into the modern era where women were allowed and even encouraged to work.

My other favorite part is the twist the author propels into the mix towards the end of the story. I won’t spoil it here, but I advise all readers to read all the way until the conclusion of the book. You’ll be glad you did!